Episode 29: Thomas Mann’s Death in Venice with Agnes Mueller

In this episode I speak with my colleague, Agnes Mueller, who is professor of German and Comparative Literature at the University of South Carolina, about why Thomas Mann’s novella, Death in Venice, is a must read during our ongoing pandemic. We talk Modernism, Plato, and Nietzsche. We see the novella as exploring sickness, death, and eros, and we find similarities and continuities between the lovesickness that grips von Aschenbach and the cholera that eventually kills him. We also ask whether Mann’s novella is a rebuke of, or perhaps even a vindication of, Plato’s ideal of erotic love. Either way, we agree that the novella is a deep engagement with Platonic ideas and is one of the best treatments of love in literature, period.

I hope you enjoy our conversation.

Agnes Mueller (M.A., LMU Munich, Germany, 1993, Ph.D., Vanderbilt U, 1997), Professor, is an expert on recent and contemporary German literature. She is core faculty in Comparative Literature and affiliated with Women’s and Gender Studies and with Jewish Studies. Her publications are on German-American relations, multicultural studies, gender issues in contemporary literature, German-Jewish studies, and Holocaust studies. Her 2004 anthology German Pop Culture: How “American” Is It? (U of Michigan P) is widely used for teaching and research. In addition to all levels of German language and culture, she regularly teaches advanced undergraduate and graduate classes, and has lectured in Germany, Canada, and the U.S. Her most recently published book is entitled The Inability to Love: Jews, Gender, and America in Recent German Literature now available in German translation as Die Unfaehigkeit zu liebenShe is currently at work on a new project, entitled Holocaust Migration: Jewish Fiction in Today’s Germany. In it, she traces the ways in which challenges of living in a multi-ethnic society where past trauma is dispersed are negotiated.

Jennifer A. Frey is an associate Professor of Philosophy at the University of South Carolina and fellow of the Institute for Human Ecology at the Catholic University of America. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department.  She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with Classics minor) at Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and PsychologyHer writing has also been featured in First ThingsFare ForwardImageThe Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and six children. You can follow her on Twitter @jennfrey

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Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by William Deatherage.

Music credits, “Help me Somebody,” by Brian Eno and David Byrne, licensed under CC BY-NC-SA 2.5.

 

Episode 28: Agnes Callard on Antigone

In this episode, I have a wide ranging conversation with Agnes Callard. We discuss our experience teaching the Great Books Core at the University of Chicago, as well as why philosophers should read and teach great literature, how to teach Homer in a philosophy class, and how humans gain wisdom through mistakes and suffering. We also talk about arguments, piety, and wisdom in Antigone.

I hope you enjoy our conversation.

Agnes Callard is an associate Professor of Philosophy at the University of Chicago. She received her BA from the University of Chicago in 1997 and her PhD from Berkeley in 2008. Her primary areas of specialization are Ancient Philosophy and Ethics. She is the author of Aspiration as well as many articles on ancient philosophy. Her writing is regularly featured at The New York Times and The Point Magazine. You can follow her on Twitter @AgnesCallard

Jennifer A. Frey is an associate Professor of Philosophy at the University of South Carolina and fellow of the Institute for Human Ecology at the Catholic University of America. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department.  She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with Classics minor) at Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and PsychologyHer writing has also been featured in First Things, Fare Forward, Image, The Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and six chickens. You can follow her on Twitter @jennfrey

Subscribe

Become a Patron!

Preview on iTunes

Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by William Deatherage.

Music credits, “Help me Somebody,” by Brian Eno and David Byrne, licensed under CC BY-NC-SA 2.5.